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Sandra Buschow
Jenny Hasselbach
Ferdinand Peuker

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7.–12.7.26
Galerie Betty Arles

18 rue de la Rotonde, Click for Map

Soft Opening
Tue., 7.7.26

17 h Music & Drinks
20 h 
Opening Remarks by Francesca Hummler, DER GREIF

Opening
Thu., 9.7.26

17 h Music & Drinks
18 h Artist Talk with Ingo Taubhorn

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Sediment Rising—Three positions.

What accumulates in a body does not disappear. It becomes method. Proximity and distance, memory and the present moment, the skin as landscape and the landscape as self: these are not themes. They are the conditions under which all three work. What they share is not origin. It is ground. They stand on it. They keep going.
Three photographers presenting together for the first time. Three distinct and uncompromising voices. Three eastern German biographies.
Connected through the Ostkreuzschule für Fotografie, Berlin: one graduating from the Abschlussklasse, one from the Meisterklasse, one an alumna of the school.

Häutungen/Shedding

Sandra Buschow

Shedding reclaims the body as a living archive, where tenderness becomes a form of resistance and visibility opens a space for healing, dignity, and self-possession. 

Website

Instagram

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Albdruck

Jenny Hasselbach

In “Albdruck”, Jenny Hasselbach composes a fragmented constellation of bodies, stone, water, light and organic structures—like a nightmare that cannot be fully recalled. Forms and traces appear on the verge of dissolution. They emerge, withdraw, and remain suspended in a state of uncertainty.

Website

Instagram

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Export

Ferdinand Peuker

Moving between documentation and dream, Export follows fragments of places, faces, and memories. Rather than unfolding chronologically, the work is guided by emotional movement—between closeness and distance, light and shadow, doubt and idealization. Export is not a closed narrative, but an open window in time: an attempt to let go of something while searching for a trace, a memory, a place where the contradictions of seeing and being briefly come together.

Website

Instagram

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